Elliott Grabill

composer | educator

Tag: romantic

When I Have Fears

for baritone voice and orchestra

When I have fears that I may cease to be
   Before my pen has gleaned my teeming brain,
Before high-pilèd books, in charactery,
   Hold like rich garners the full ripened grain;
When I behold, upon the night’s starred face,
   Huge cloudy symbols of a high romance,
And think that I may never live to trace
   Their shadows with the magic hand of chance;
And when I feel, fair creature of an hour,
   That I shall never look upon thee more,
Never have relish in the faery power
   Of unreflecting love—then on the shore
Of the wide world I stand alone, and think
Till love and fame to nothingness do sink.

John Keats

When I Have Fears, ruminates on John Keats’ sonnet and the existential issues it presents. It features Keatsian imagery such as bird songs and slow, sarabande-like rhythms.

This recording features vocalist Rahzé Cheatham, with Nell Flanders conducting.  The orchestra is comprised of Peabody musicians.  The instrumentation is 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 2 trombones, a timpani, and strings.

Lake Pontchartrain

for string sextet (two violins, two violas, two cellos)

Water is emotion, and every body of water I visit makes me feel a different way.  Lake Pontchartrain is a shallow estuary in Louisiana just wide enough that one cannot see the other side.  To get to New Orleans, one must travel across its waters on a freeway or train elevated just above the surface.  On a cloudy, rainy day, the gray waters of Lake Pontchartrain evokes feelings of sadness, serenity, intimacy, and longing.  The piece begins and ends like the lake’s gentle, unending waves: instruments play long single notes at different times, creating a chord progression that sways between dissonant clusters and tonal harmonies.  The quiet middle sections are inspired by nature: wind rustling, birds chirping, and stillness.  It features sparse triadic gestures, microtones, and cellos bowing on the bridge.

© 2018 Elliott Grabill

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